Thursday, April 26, 2012

The Simpsons Movie










Irony:
"We have a good life in Alaska, and we're never going back to America!" -- Homer Simpson

"This book doesn't have any answeres!" -- Homer reading the Bible

"He's been talking about it, but I never took him seriously..."
-- Chief Wiggum on bomb diffusing robot's suicide

"Well, for once, the rich white man is in control!" -- Mr. Burns

"Stop in the name of American squeamishness!" -- Chief Wiggum


Satire:
"The government actually found someone we're looking for!" -- NSA Employee

"I was elected to lead, not to read." -- Arnold Schwarzenegger

'Itchy/ Clinton' -- on the sign of a mouse for the campaining cartoon character in the intro clip

"Hello, I'm Tom Hanks. The US Government has lost its credibility so it's borrowing some of mine."

"We pay every resident a thousand dollars to allow the oil companies to ravage our state's natural beauty." -- Alaskan entrance booth manager


Puns:
 'Dome Sweet Dome' (written in the towel being knitted by Marge Simpson)

"You just bought another load of crap from the worlds fattest fertilizer salesmen." -- Bart Simpson

-- Homer is trapped between a rock and a tavern called, "A Hard Place", in refrence to the idiom


Resources:

http://www.simpsonsmovie.com

http://www.imdb.com/title/tt0462538/quotes

Tuesday, April 17, 2012

The Graduate

"Hello Darkness, my old friend..." --intro song, Simon and Garfunkel,"The sound of Silence"

The Graduate was released in 1967, and to this day remains one of the most favored classic of our history. My personal rating of it is 4/5 -- heck, 4.5/ 5. Starring up and comers like Dustin Hoffman, as well as down and outs like Anne Bancroft, the Graduate is hailed by some as an all time critics choice for best movie. According to the Doc, this movie is loved for its quiet anti-establishment stance, as well as its silent portrayel of the cold war. So naturally, despite my best efforts, I found none of these things in the film. So what did I like about it? Why did I even like it? It was honest. Pretty Vague, right? Let me explain:

The Graduate Poster

"Are you here for an affair, sir?" -- Hotel Clerk

What rang true for me in the film was the honesty of it. The film wasn't some great quest, there was no ultimate goal to be had, no McGuffin for our hero to idealize and chase down. It was just a look at life, a story that could probobly be the most believable in cinematography. It was a story about a guy who finished the last bit of structured life he had, and realized he had lived under the gentle control of adults for so long, he didn't know where to begin in deciding for himself. He had no plans, no future, and probobly wasn't all that excited for the coming either. And in his weak and dependant state, a manipulative series of moves by his parents as well as the Robinsons set him on a one way course for crash and burn. Only at the end does he realize that he doesn't need his own plan for himself to get away from other's plans for him. In a daring move, he siezed the one thing he knew he wanted, and quite frankly, was contented with himself for the first time in a long time. It's a cut and dry story where nothing is black and white, and probobly most humorous about the film was the way it took what is usually a romanticized, passionate idea of sex and made it into a mechanical, awkard, and hardly pleasurable experience for everyone involved.



"Ben, this whole idea seems half-baked"        --Mr. Braddock

And so did the camera angles, Sir. I mentioned before how it is that I enjoyed the movie quite thoroughly. So why am I quibbling around in the 4 ratings? Because my WPHS videos shared a similar film quality in about half the scenes. I don't want to make it seem like it ruined the movie for me, quite the opposite; I am trying to air out my only problem with the film, so that I can get it out of the way and remember it more fondly. Certain scenes, such as the ending bus ride, were visual genius. The montage of Ben moving from the pool to the Hotel over and over was magnificent. So whay is it that at points like where Ben told Eain of the affair, the long hallway shot felt like something out of Troll 2? For shame, filmmakers.It dissillusioned me from the entire show at certain critical points.

 "Oh no, I think you're the most attractive of my parents friends." --
I especially enjoy how the film was a comedy in disguise. So enthralled were we with the idea of such a fun lifestyle, lacking responsibility and filled with risk, we failed to notice the comedy hiding in each situation. In the moments we laughed at, we didn't laugh because we thought the film was telling us a funny joke or story, it's because Ben was so awkward and we loved it. The characters were so alive for us, the story came first hand, and the comedy just flowed natrually in with it.

And so I draw this review to a close. I would also like to point out the Cajones Mister Nichols to splash breast all over the screen like that. I would be shocked to find it in movies today, in this far more liberal era. It most certainly livened up the film. Way to hit us with a knuckleball, Nichols. Your the best. I'm afraid thats all, my russian followers. Благодарим Вас за чтение.

Stay Savvy my Friends,

Erudito

Sources:

http://www.imdb.com/title/tt0061722/

http://www.gotoricks.blogspot.com

http://www.themovieproject-moviefan.blogspot.com

Monday, April 16, 2012

Psycho

"...We all go a little mad, sometimes." --Norman Bates

A murder story so sadistically woven, one can practically smell the Alfred Hitchcock on it. Starring Anthony Perkins and Janet Leigh, this thriller is made and set in the wild sixties, a time of change, uncertainty. When better to test the cinematic waters with a horror film? I personally enjoyed the films look into the mind of a disturebed man, and explained how a person may seem twisted, but maybe it's only because we lack the ability to see the way they do. Is sanity established by it's society? The story begins with a young couple in the throws of passion, discussing the metaphorical traps they each are in. from their they go back to work, and then the real plot begins. When tempted by a large sum of cash brought to her workplace, she nabs it and drives off. This enticing intro alone catches the viewers attention. The movie scores a 4.5/5 in my scale. Please understand, this doesn't mean "Perfect, Best Movie Ever!" It simply means that criteria for a good movie was met. It's an -A, not an Honor.

Firstly, The beginning was a hook, which I love. They caught everyones attention with the sex, and then threw in cash while we were watching. The cash represented risk and hedonistic behaviour. Why not inject heroin directly into the viewers arm while you're at it? This beginning was genius, in a sense of enthrallment. Now that you're invested, you watch the lead female descend into a fascinating paranoia. The character Marion was well crafted in plot as she was stiffly acted in film.






"I think I must have one of those faces you can't help believing." --Norman Bates

But now for the main course; Norman Bates. A villain whose role is not entirely understood till the very end, Senor Bates spent the movie as a shadowey figure, cloaked in mystery, and keeper of a great secret. Cleaning up after his mother for sure, but something doesn't sit right. Can he truly sit back and just hide the mother's massacres? But there is more to the man than meets the eye. The true depravity of the soul is explained in great detail, which I actually find some issue with. Of course his secrets should be revealed and closure found, but how far is too far? Is it just me, or did they leave nothing for the imagination? A well written movie for sure, but shouldn't Norman have retained some level of mystique? Would it not have been more fitting for him to have been, in part, unexplainable? I believe he was the linch-pin of movie, and while he was done well, he wasn't perfected in the end (though not to the actor's fault, but the ending dialouge). Otherwise, a fascinating man with a disturbing, enticing darkness within. 


"... Someone always sees a girl with 40,000 dollars." --- P.I. Arbogast

I liked the view, dialogue, performance, and the lack of a message being driven. What went wrong? Plot, in a way. You see, the temptation would certainly be great for anyone in her situation, but I could not shake the feeling that it was less about the general idea of theft for profit and more about the weakness of women. I don't pretend to be feminist, and closer friends may accuse me of being a chauvinist, but I'm no misogynist. It's demeaning, and far more importantly, a weak point in the most important part of the plot.

I would also like to take a moment to mention my respect for the great Alfred Hitchcock. the audacity to make a movie like that, in a time like the sixties? I saw Ben-Hur, and while it was certainly not a tame movie, the psychological horrors of this film where far from normal for the time. In all, the film was a cornerstone in cinema, and a riveting horror to follow. I personally enjoyed the time spent watching it.

Stay Savvy my Friends,

Erudito

Sources:

smartsandcrafts.blogspot.com

paul-lavey.blogspot.com

thisdistractedglobe.com

Tuesday, April 10, 2012

Ben Hur



The podcast link is at the bottom of the post. Enjoy, I Miei Fratelli.

Stay savvy my friends,

Erudito

Link to das Podcast de Ben Hur: A Tale of the Christ--
http://www.youtube.com/watch?v=451lw-UlCqY


Sources:

nicholas-movieclub.blogspot.com

markrussellsblog.blogspot.com